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	<title>Volume-3 &#8211; IML Store</title>
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	<item>
		<title>Omaha Under the Radar: Localizing an Experimental Arts Festival (with Teacher Notes and Instructions)</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/omaha-under-the-radar-localizing-an-experimental-arts-festival-with-teacher-notes-and-instructions/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 04:40:25 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=150</guid>

					<description><![CDATA[Omaha Under the Radar is an experimental arts festival that seeks to empower leading-edge performers in Nebraska’s largest city and educate local audiences through avant-garde programs. The early success of the summer festival has rested on its innovative programming, venue partnerships, and community education. In addition to the local artists it promotes, Omaha Under the Radar [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Omaha Under the Radar</strong> is an experimental arts festival that seeks to empower leading-edge performers in Nebraska’s largest city and educate local audiences through avant-garde programs. The early success of the summer festival has rested on its innovative programming, venue partnerships, and community education. In addition to the local artists it promotes, Omaha Under the Radar solicits performers from around the country to contribute to the festival. This study examines how the festival organizers continue to focus on the local community in the face of increasing national interest from outside performers. The case concludes with a scenario involving a large, unrestricted gift that could challenge the organizational priorities of the festival.</p>
<p>Author: Phil Pierick<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 8 pages plus Appendix<br />
ISSN: 2475-4994</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>My House is Your House: Groupmuse’s Revival of Chamber Music (with Teacher Notes and Instructions)</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/my-house-is-your-house-groupmuses-revival-of-chamber-music-with-teacher-notes-and-instructions/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 04:40:08 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=148</guid>

					<description><![CDATA[Returning chamber music to its intended domestic setting, Groupmuse provides high-caliber musical events for surprisingly young audiences in intimate listening environments. Propted by an external study of the organization, Bodkin is considering rolling out Groupmuse into the Los Angeles market. Without contacts and staff in Los Angeles however, the CEO is concerned that expansion into this market [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Returning chamber music to its intended domestic setting, <strong>Groupmuse</strong> provides high-caliber musical events for surprisingly young audiences in intimate listening environments. Propted by an external study of the organization, Bodkin is considering rolling out Groupmuse into the Los Angeles market. Without contacts and staff in Los Angeles however, the CEO is concerned that expansion into this market would mean losing a grip on the tightly managed nature of Groupmuse. This case explores the philosophy behind Groupmuse and the rationale to expand into new markets, concluding by challenging the reader to consider a process by which growth of the business could occur.</p>
<p>Author: Michael A. Anderson<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 7 pages plus Appendices<br />
ISSN: 2475-4994</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Expanding Musical Explorers at Carnegie Hall (with Teacher Notes and Instructions)</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/expanding-musical-explorers-at-carnegie-hall-with-teacher-notes-and-instructions/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 04:38:32 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=145</guid>

					<description><![CDATA[As the education arm of Carnegie Hall, the Weill Music Institute (WMI) offers a diverse portfolio of music education and social impact programs that reach over 500,000 people a year. With the success of WMI’s signature education program, Link UP, expanding from purely New York based to an international audience, the team is planning to [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>As the education arm of Carnegie Hall, the Weill Music Institute (WMI) offers a diverse portfolio of music education and social impact programs that reach over 500,000 people a year. With the success of WMI’s signature education program, Link UP, expanding from purely New York based to an international audience, the team is planning to expand another program, Musical Explorers. However, Musical Explorers involves local artists and other considerations that set it apart from its sister program. The reader is tasked with evaluating the proposed models for increasing the reach of Musical Explorers and presenting a recommendation to Carnegie Hall leadership that delivers both program and institutional goals.</p>
<p>Author: Eric M. Laprade<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 9 pages plus Appendix<br />
ISSN: 2475-4994</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Musical Chairs: Rostering Break of Reality (with Teacher Notes and Instructions)</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/musical-chairs-rostering-break-of-reality-with-teacher-notes-and-instructions/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 04:29:21 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=141</guid>

					<description><![CDATA[This case examines the unique personnel system developed and utilized by Break of Reality, a cross-genre chamber quartet. The group’s two co-founders are core members of the organization while the other two seats rotate among seven independent contractors. The advantages and drawbacks of this roster system form the substance of the case. The reader is tasked [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This case examines the unique personnel system developed and utilized by <strong>Break of Reality</strong>, a cross-genre chamber quartet. The group’s two co-founders are core members of the organization while the other two seats rotate among seven independent contractors. The advantages and drawbacks of this roster system form the substance of the case. The reader is tasked with drafting a recommendation that evaluates not only the current model for hiring ensembles members but also the organization structure of Break of Reality.</p>
<p>Author: Blaire K.S. Koerner<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download –  7 pages<br />
ISSN: 2475-4994</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>After Monetization: The New Recording Landscape for Artists (with Teacher Notes and Instructions)</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/after-monetization-the-new-recording-landscape-for-artists-with-teacher-notes-and-instructions/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 04:29:17 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=140</guid>

					<description><![CDATA[This case study examines some perspectives of the recording industry, particularly as it relates to musicians navigating the new landscape heavily impacted by digital service providers. The study investigates digital streaming models, surveys traditional record labels, and brings in a contrasting model that offers recording artists a chance to cultivate relationships with a close circle [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This case study examines some perspectives of the recording industry, particularly as it relates to musicians navigating the new landscape heavily impacted by digital service providers. The study investigates digital streaming models, surveys traditional record labels, and brings in a contrasting model that offers recording artists a chance to cultivate relationships with a close circle of patrons. The case concludes with consideration of what the industry presents to a performer committed to a musical niche.</p>
<p>Author: Michael A. Anderson<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 9 pages plus Appendices<br />
ISSN: 2475-4994</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>After Monetization: The New Recording Landscape for Artists</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/after-monetization-the-new-recording-landscape-for-artists/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 03:58:32 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=117</guid>

					<description><![CDATA[This case study examines some perspectives of the recording industry, particularly as it relates to musicians navigating the new landscape heavily impacted by digital service providers. The study investigates digital streaming models, surveys traditional record labels, and brings in a contrasting model that offers recording artists a chance to cultivate relationships with a close circle [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This case study examines some perspectives of the recording industry, particularly as it relates to musicians navigating the new landscape heavily impacted by digital service providers. The study investigates digital streaming models, surveys traditional record labels, and brings in a contrasting model that offers recording artists a chance to cultivate relationships with a close circle of patrons. The case concludes with consideration of what the industry presents to a performer committed to a musical niche.</p>
<p>Author: Michael A. Anderson<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 9 pages plus Appendices<br />
ISSN: 2475-4994</p>
<p><strong>Teacher’s Instructions and Notes</strong></p>
<p>Never utilized a case study before? <em>Each study has the option of coming with teaching instructions on how to use the case study and specific discussion notes to help direct the classroom conversation.</em></p>
<p><a href="https://iml.esm.wdev.rochester.edu/store/product/after-monetization-the-new-recording-landscape-for-artists-with-teacher-notes-and-instructions/">Click here to view a sample and/or purchase Teacher’s Notes.</a></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Musical Chairs: Rostering Break of Reality</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/musical-chairs-rostering-break-of-reality/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 03:58:32 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=118</guid>

					<description><![CDATA[This case examines the unique personnel system developed and utilized by Break of Reality, a cross-genre chamber quartet. The group’s two co-founders are core members of the organization while the other two seats rotate among seven independent contractors. The advantages and drawbacks of this roster system form the substance of the case. The reader is tasked [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This case examines the unique personnel system developed and utilized by <strong>Break of Reality</strong>, a cross-genre chamber quartet. The group’s two co-founders are core members of the organization while the other two seats rotate among seven independent contractors. The advantages and drawbacks of this roster system form the substance of the case. The reader is tasked with drafting a recommendation that evaluates not only the current model for hiring ensembles members but also the organization structure of Break of Reality.</p>
<p>Author: Blaire K.S. Koerner<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download –  7 pages<br />
ISSN: 2475-4994</p>
<p>&nbsp;</p>
<p><strong>Teacher’s Instructions and Notes</strong></p>
<p>Never utilized a case study before? <em>Each study has the option of coming with teaching instructions on how to use the case study and specific discussion notes to help direct the classroom conversation.</em></p>
<p><a href="https://iml.esm.wdev.rochester.edu/store/product/musical-chairs-rostering-break-of-reality-with-teacher-notes-and-instructions/">Click here to view a sample and/or purchase Teacher’s Notes.</a></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>My House is Your House: Groupmuse’s Revival of Chamber Music</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/my-house-is-your-house-groupmuses-revival-of-chamber-music/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 03:58:29 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=112</guid>

					<description><![CDATA[Returning chamber music to its intended domestic setting, Groupmuse provides high-caliber musical events for surprisingly young audiences in intimate listening environments. Propted by an external study of the organization, Bodkin is considering rolling out Groupmuse into the Los Angeles market. Without contacts and staff in Los Angeles however, the CEO is concerned that expansion into this market [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Returning chamber music to its intended domestic setting, <strong>Groupmuse</strong> provides high-caliber musical events for surprisingly young audiences in intimate listening environments. Propted by an external study of the organization, Bodkin is considering rolling out Groupmuse into the Los Angeles market. Without contacts and staff in Los Angeles however, the CEO is concerned that expansion into this market would mean losing a grip on the tightly managed nature of Groupmuse. This case explores the philosophy behind Groupmuse and the rationale to expand into new markets, concluding by challenging the reader to consider a process by which growth of the business could occur.</p>
<p>Author: Michael A. Anderson<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 7 pages plus Appendices<br />
ISSN: 2475-4994</p>
<p><strong>Teacher’s Instructions and Notes</strong></p>
<p>Never utilized a case study before? <em>Each study has the option of coming with teaching instructions on how to use the case study and specific discussion notes to help direct the classroom conversation.</em></p>
<p><a href="https://iml.esm.wdev.rochester.edu/store/product/my-house-is-your-house-groupmuses-revival-of-chamber-music-with-teacher-notes-and-instructions/">Click here to view a sample and/or purchase Teacher’s Notes.</a></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Expanding Musical Explorers at Carnegie Hall</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/expanding-musical-explorers-at-carnegie-hall/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 03:58:29 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=113</guid>

					<description><![CDATA[As the education arm of Carnegie Hall, the Weill Music Institute (WMI) offers a diverse portfolio of music education and social impact programs that reach over 500,000 people a year. With the success of WMI’s signature education program, Link UP, expanding from purely New York based to an international audience, the team is planning to [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span id="more-113"></span>As the education arm of Carnegie Hall, the Weill Music Institute (WMI) offers a diverse portfolio of music education and social impact programs that reach over 500,000 people a year. With the success of WMI’s signature education program, Link UP, expanding from purely New York based to an international audience, the team is planning to expand another program, Musical Explorers. However, Musical Explorers involves local artists and other considerations that set it apart from its sister program. The reader is tasked with evaluating the proposed models for increasing the reach of Musical Explorers and presenting a recommendation to Carnegie Hall leadership that delivers both program and institutional goals.</p>
<p>Author: Eric M. Laprade<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 9 pages plus Appendix<br />
ISSN: 2475-4994</p>
<p><strong>Teacher’s Instructions and Notes</strong></p>
<p>Never utilized a case study before? <em>Each study has the option of coming with teaching instructions on how to use the case study and specific discussion notes to help direct the classroom conversation.</em></p>
<p><a href="https://iml.esm.wdev.rochester.edu/store/product/expanding-musical-explorers-at-carnegie-hall-with-teacher-notes-and-instructions/">Click here to view a sample and/or purchase Teacher’s Notes.</a></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Omaha Under the Radar: Localizing an Experimental Arts Festival</title>
		<link>https://iml.esm.wdev.rochester.edu/store/product/omaha-under-the-radar-localizing-an-experimental-arts-festival/</link>
		
		<dc:creator><![CDATA[Harish Nayak]]></dc:creator>
		<pubDate>Sun, 13 Jan 2019 03:58:26 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.wdev.rochester.edu/woocomtest1/?post_type=product&#038;p=108</guid>

					<description><![CDATA[Omaha Under the Radar is an experimental arts festival that seeks to empower leading-edge performers in Nebraska’s largest city and educate local audiences through avant-garde programs. The early success of the summer festival has rested on its innovative programming, venue partnerships, and community education. In addition to the local artists it promotes, Omaha Under the Radar [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Omaha Under the Radar</strong> is an experimental arts festival that seeks to empower leading-edge performers in Nebraska’s largest city and educate local audiences through avant-garde programs. The early success of the summer festival has rested on its innovative programming, venue partnerships, and community education. In addition to the local artists it promotes, Omaha Under the Radar solicits performers from around the country to contribute to the festival. This study examines how the festival organizers continue to focus on the local community in the face of increasing national interest from outside performers. The case concludes with a scenario involving a large, unrestricted gift that could challenge the organizational priorities of the festival.</p>
<p>Author: Phil Pierick<br />
Published: Volume 3, Summer 2017<br />
Details: PDF Download – 8 pages plus Appendix<br />
ISSN: 2475-4994</p>
<p><strong>Teacher’s Instructions and Notes</strong></p>
<p>Never utilized a case study before? <em>Each study has the option of coming with teaching instructions on how to use the case study and specific discussion notes to help direct the classroom conversation.</em></p>
<p><a href="https://iml.esm.wdev.rochester.edu/store/product/omaha-under-the-radar-localizing-an-experimental-arts-festival-with-teacher-notes-and-instructions/">Click here to view a sample and/or purchase Teacher’s Notes.</a></p>
]]></content:encoded>
					
		
		
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